[.interviews + re:views + bibliograph] 

++++++++++++++ 

2012

+Codeworks + Mezangelle discussed in "The Transreal Political Aesthetics of Crossing Realities" by Micha Cárdenas, 2012:

• "Proposing three operations for dealing with multiple realities, The Transreal discusses artists and art collectives including Blast Theory, mez breeze, Reza Negarestani, Ricardo Dominguez and Zach Blas...The Transreal demonstrates that transreal aesthetics have broad implications across new media, performance art and electronic literature. The book spans a wide range of genres including theoretical analyses of artworks, poetry, source code, photos of performances and wearable electronics, and discussions with leading thinkers in new media and performance art including Stelarc, Allucquére Rosanne Stone and Ricardo Dominguez."

+Mezangelle examined in New Directions in Digital Poetry by C.T. Funkhouser. ISBN: 9781441115911 [Published January 2012]:

• "Mez works this possibility—with her use of language, and by using images as prefix and suffix—to extreme ends, and by doing so metaphorically hits two, three, or more notes with a single gathering of letters formed into a word in ways previous generations of writers could not."

+Interviewee for Digital Prohibition: Piracy and Authorship in New Media Art by Carolyn Guertin [Continuum International Publishers, 2012]

+Sally Evans examines mezangelle [audio interview].

-

2011

+Mezangelle discussed in "‘The Anti-Logos Weapon’: Excesses of Meaning and Subjectivity in Mezangelle Poetry" in Cordite Poetry Review, December 2011.

+Discussed in Masters of Media: Interview with Nancy Mauro-Flude:

• "As Bertolt Brecht said, “Because things are the way they are, things will not stay the way they are… reach for the book: it is a weapon.” Of course, in Error_in_Time(v.3), Mez blessed us with her Mezangelling of texts, which then shows this multi-vocality at its utmost prismatic."

+Contributor to A Blueprint for a Lab of the Future:

• "This publication...features: conversations, recommendations, challenges, and statements that illustrate the process of building the lab [and] new essays and interviews with artists and collaborators featuring their perspectives on the lab."

+Interview published in Content | Form | Im-material—Five Years of CONT3XT.NET:

• "Programmatically, this group of artists, curators and authors—their different roles and functions sometimes regarded strictly, sometimes as a fluid continuum—work at the basis of contemporary visual, textual and networked practices. Always starting from the idea of the context as the most indecisive and variable but relevant constraint of any situation, the collective analyses the spatial, temporal, discursive as well as the institutional framework that conceptual artistic practices are rooted in today. "

+Mezangelled presented/discussed in Mez Breeze and the Cyber-Syntax of Code Poetry by Sally Evans. Presented at the 2011 Poetry and the Contemporary Symposium, Deakin University Melbourne, Australia:

• "Since the early 1990s, Australian digital practitioner Mez Breeze has written poetry that combines, or hybridises, the ‘natural’ language of human communication and the highly codified structure of HTML and other digital languages....Codeworks of this sort result in syntactical and lexical fields in which meaning is fluid and subjective. By offering a subjective reading of Breeze’s codeworks, and deconstructing the play of syntactical and lexical meaning within code poetry, this paper examines some of the tensions that arise in contemporary digital creative writing. In particular, this paper focuses on the interactions of linearity and association that characterise contemporary digital poetics."

+_[ad]Dressed in Skin C.ode_ discussed in Understanding Representation by Jen Webb. Published by SAGE Publications Ltd as part of the Understanding Contemporary Culture series:

• "...this usage can be subverted in a way that renders digital text - code - as 'pure' representation. The Australian artist Mary-Anne Breeze ('Mez') does this precisely in her codework poems, an example of which...[is]... [ad]Dressed in Skin C.ode ...[this] work uses the complexities and inaccessibility of computer code to point out the ambiguities and sheer chance of much representation. It uses the representational devices of a computer to generate a work of art, an instance of representation that is as much about feeling as communicating, and that critically engages with the very act of making..."

+Mezangelle discussed in Postliterary America: From Bagel Shop Jazz to Micropoetries by Maria Damon. Publisher University of Iowa Press, 2011. ISBN 1587299577, 9781587299575.

+Discussed & documented in Critical Code Studies and the electronic book review: An Introduction, Mark Marino:

• "The CCSWG was a six-week long experiment in alternative academic production...the initial proposal for an invited discussion group evolved into an open call for an online seminar. To add structure and sweetness, each week featured a different invited guest speakers hosting a week-long discussion thread on a different theme. The sixth and final week brought Mez Breeze, creator of the creole language mezangelle. Her text for the week was a codework she had created for the occasion..."

+Versatile m[c]o[mmunication]dality: Interview with Mary-Anne Breeze - aka netwurker to be published in cont3xt.net's book CONTENT | FORM | IM-MATERIAL [Not Yet Published].

+Mezangelle discussed in Minding Machines / Machining Minds: Writing (at) the Human-Machine Interface by Adelaide Morris. Published in The Oxford Handbook of Modern and Contemporary American Poetry, Cary Nelson (ed). ISBN13: 9780195398779. ISBN10: 0195398777. December 2011 [Not Yet Published]:

• "The Oxford Handbook of Modern and Contemporary American Poetry provides a comprehensive approach to the debates that have defined the study of American verse of the twentieth and twenty-first centuries. Topics include: the influence of jazz on beat poetry; surrealist influences on American verse; disability poetics; Asian American poetry..."

+Discussed in Distributed Authorship and Creative Communities by Professor Simon Biggs and Dr. Penny Travlou, May 2011, Edinburgh College of Art:

• "Mez Breeze, the internationally renowned Australian code-poet and net-artist and a former member of 7-11 and Net-Time, is also a close associate, amongst a web of international artists, theorists and activists, many of whom primarily know one another through the virtual connections established and mediated by network initiatives such as Furtherfield."

+The augmentology article set "_Social Tesseracting_: Parts 1 - 3" nominated for the Vilém Flusser Theory Award, Transmediale 2011, Berlin:

• "The Vilém Flusser Theory Award (VFTA) promotes innovative media theory and practice-oriented research exploring current and pending positions in digital art, media culture and networked society. Echoing media philosopher and cultural nomad Vilém Flusser's unique investigative, cross-disciplinary and analytic approach, the Award is a call to reflect upon, act and challenge the rapidly changing technological and societal conditions that underpin the contours of digital culture."

+Mezangelle’n w/ Mez: Interview in Bad at Sports: Contemporary Art Talk by Nicholas O'Brien, February 8:

• "I had the great pleasure and honor to converse w/ Mez – otherwise known at Mary-Anne Breeze +/or netwurker – over the course of a couple weeks about her works and theories regarding code poetry, meme culture, augmented reality, and other related interests to Mez’s practice and theory. We discuss (with corresponding translation) in a pseudo-code-language-environment that Mez developed in the mid 90s called mezangelle...the language has evolved into a dense weaving of net-humor, snippets from actual coding language (like perl or javascript), and critical theory."

+Interview in Plutonian Striptease XI:

• "Plutonian Striptease is a series of interviews with experts, owners, users, fans and haters of social media, to map the different views on this topic, outside the existing discussions surrounding privacy."
  

+Mezangelle discussed in The Sonnet in the New Media by Aleš Vaupotič:

• "In order to ensure that the spam filtering algorithms will inadvertently allow unwanted emails to reach their addressees, the word "inches" for example, is sometimes written using a number thus "1nches"...[like] "code poetry", in which the language is a mix of computer code and natural languages (e.g. mezangelle by Mary-Anne Breeze - alias mez)."

+Discussed in the International Handbook of Internet Research. ISBN 978-1-4020-9788-1. Edited by Hunsinger, Jeremy; Klastrup, Lisbeth; Allen, Matthew.

--

2010

+Code poetry discussed in Monochromacity as a Reflection of Computing Processes in Internet-based Art | Thomas Dreher:

• "In Codepoetry, parts isolated from codes are combined with fragments of phrases and words (e.g. Mary-Anne Breeze’s Mezangelle). Particles of codes appear in browser presentations as if codes do not control the output via computing processes but disturb the output. Code fragments in the presentations of Codepoetry can provoke doubts as to whether graphical user interfaces (GUIs) are restricting possibilities of computing processes by making the code non-transparent."

+Mezangelle discussed in Stress Fractures: Essays on Poetry by Theodoros Chiotis:

• "...Multimedia artist Mary Anne Breeze, working under the nom-de-plume MEZ, has invented a recombinant idiolect called mezangelle in her attempt to short-circuit and bypass received processes of meaning-making. In a screen titled “n.sert yr narrative curve” she describes the potential reader (THE CONT.ROLL.O][VE][R) as follows: “[able to sing the spilt, open mouthed with sac][culuar][ks of spooned sugar N.structs, the song prefabricated, melting M.mitted p][redictable][atterns]”. The reader becomes part of the flow of interaction between man and machine, an infinitely folding surface oscillating between different rhythms and time frames..."

+_531chambered:amber:hammered:heart:Kernel_ examined in Between Play and Politics: Dysfunctionality in Digital Art by Marie-Laure Ryan. Published in The Electronic Book Review, May 2010:

• "The poem tries to pass as computer code, by imitating the syntax of a computer language (it most resembles LISP), and by using special graphic elements, but it cannot be executed: there is no compiler for this pseudo language. The purpose here is not to communicate with the machine, but rather, following a tradition that runs from nineteenth century Symbolism to twentieth century Dadaism, Surrealism, Lettrism, and concrete poetry, to produce a new poetic idiom. The use of parentheses is symptomatic of an ambition to fight the linearity of language by rendering symbols semantically polyvalent: for instance, in the Mez example, " (h)eart(h)." can be read as "heart," "earth" or "hearth." Whether of not these language experiments produce dysfunctionality or a functionality of a higher order depends on how much effort readers are willing to devote to their decoding, and on whether this effort is found worthwhile. Similarly, there are people who find the language of Finnegans Wake highly dysfunctional, and others who admire it as a synthesis of different languages that overcomes the disaster of Babel. (Incidentally, Mezangelle has been widely compared to Finnegans Wake.)"

+Mezangelle/codewurking discussed in _Authorship and Agency In Networked Environments_ by Simon Biggs:

• "Here Breeze could be proposing that all the texts we read involve the reader constructing a virtual machine in order for the text to be interpreted. That is to say, each act of reading requires that we create an instance of language as a process of interpretation, with some texts demanding more ingenious and novel design than others.Such texts, demanding the reader construct something that for many is perceived as a given, something they learned as a child, forces them to reconsider what it is to read and to recognise that within reading's processes the reader is engaged in an act of imagination incorporating a constant reimagining of language. In the case of a text...is a knowledge of computer programming likely to enhance our appreciation of the work? Is Breeze's poetic code primarily intended for the hacker and coder? Or is this incidental?"

+In From Codework to Working Code: A Programmer's Approach to Digital Literacy by John Bork, University of Central Florida:

• "Types of codework span from intentionally arranged constructions intended for human consumption that do not execute on any real computer system, to valid expressions in bona fide programming languages that are meaningful to both human and machine readers. Examples of the former include the work of Mez (Mary-Anne Breeze)..."

--

2009

+In Digital Duende: Reading the Rasp in E-Poetry by Amanda G. Michaels. Published in Shift, Issue 2:

• "The term “.dirtee codah.” functions as a hyperlink that takes the user to other parts of the work. Throughout this piece, Mez meditates on what it means to be ‘trapped in seizure language’—the language of the physical, epileptic seizure, but also the language of capture, of imprisonment. The particular linguistic construction of mezangelle ‘captures’ code within poetic language—or, perhaps, the poetic language within code—to create something that is “part girl| [part][ial][boy ().” If “The DNA of programmer fare is code:,”[45] then mezangelle is the DNA for a world balanced between the push of poetic language and the pull of code; a ‘dirty,’ troubled language that puts pressure on the conflict, the duende, between the two forces."

+_The data][h!][bleeding texts_ + mezangelle discussed in Altfel de Poezie.

+Interviewed as part of Speeding the Work: The Effect of Women’s Poetry Blogs and Listservs on Equal Representation.

+Assorted wurks + discussion of mezangelle in Poesia eletrônica / Electronic Poetry by Jorge Luiz Antonio:

• "The linguistic code, the hypertext markup language (HTML) and mathematical symbols, among others, is to become a material part of the poem...also exploring the space of a web page or e-mail. Examples: "mezangelle language system" by Mez (Mary-Anne Breeze)..."

+pro][tean][.lapsing.txts discussed in Against Digital Poetics by Sandy Baldwin. Presented at the E-Poetry 2009 Conference at Centro de Cultura Contemporanea de Barcelona, May 2009:

• "The poetics of electronic poetry enable and destroy theories of electronic poetry. The poetics of electronic poetry are found in works such as Alan Sondheim's "Lip," Mez's "pro][tean][.lapsing.txts" and Jake Chapman's _Meatphysics_. More generally, these poetics can be described as emissions and spews of ASCII and plaintext messages..."

+Augmentology Performance documentation in Navigating e-Culture [Delux Version] from the Walled Garden 2-day international conference in Amsterdam, November 2008:

• "In November 2008 Virtueel Platform organised an international conference on communities and networks in the post-Web 2.0 era. Rather than documenting the conference itself, the book Walled Garden contains a series of essays written after the conference, and as such provides an in-depth discussion of many of the key issues raised. "

+Discussion of the _arc.hive_ project by jon cates in: PART IV of my "lists, boards, friends + feeds" txt project :

• 'mez's posts, like Netochka Nezvanova's, were a part of an ongoing online identity construction as a creative + experimental New Media Art project. mez's posts are/were written in mez's own language, Mezangelle. as is stated in/on the Wikipedia entry for Mezangelle, this experimental-artistic-performative language is "not syntactically fixed and is in continuous artistic development".'

+<----[inter]Sections-A+B-> published in Brief 38, Auckland New Zealand.

+Augmentology reviewed by Mark Hancock in _AUGMENTOLOGY 1[L]0[L]1_: Interface Between Worlds for DigiCult:

• "_Augmentology 1[L]0[L]1_ reads like the field notes of an anthropology team, leading expeditions into known but uncharted territories. These territories are both psychological and geophysical, even though the co-ordinates may only exist in a virtual world. The research notes are continually being collated and published as new explorations are made. As well as the existing collaborators, there is scope for new members to join the expeditions and make field notes. _Augmentology 1[L]0[L]1_ is a Synthetic Reality Manual for our digital era."

"[S/pace_98 = [twitte]reality_fictions_09]" in Version, "an online journal for short-form writing and media work", 16th June.

+Mezangelle discussed in "Der digitale Autor. Autorschaft im Zeitalter des Internets" by Dr Florian Hartling, May 2009, Germany.

+In Twitter Art by Cara Parks. Wayzgoose: Arts, News and Reviews, 10th April [Project no longer online].

+In "Art on Twitter: yes, but is it twart?" by Ruth Jamieson. The Guardian, 23rd February:

• "Twart residencies has seen code poetry from @Netwurker, micro-fiction from Hannu Rajaniemi and a micro-serialised story from writer Charlotte Allan..."

+In _The Writer’s Guide to Making a Digital Living_ by Jennifer Wilson + Christy Dena:

• "The writer's guide was developed through the Australia Council's Story of the Future project to explore the craft and business of writing in the digital era. It includes case studies from Australia's rising generation of poets, novelists, screenwriters, games writers and producers who are embracing new media and contains audio and video content from seminars and workshops, as well as extensive references to resources in Australia and beyond."

+"twitte[reality_fictions]" in Pganickz's Journal - a collaborative e-text repository.

+Participant in Experimental Writing Research - A Research Project by the Writing and Society Research Group at the University of Western Sydney:

• "The project explores the creative practices of Australian writers working in electronic forms."

+Guest Twitter Commentator - FWR Episode 017 A Return to Formlessness:

• "Netwurker Mez...took the time to contribute comments in real-time via Twitter as we recorded. With her help, we take on Noby Noby Boy, Skate 2, and Street Fighter 4, among others."

+Guest Contributer to "New Year's Resolutions for Digital Futures" moderated by Renate Ferro + Tim Murray:

• "A month-long curated event to usher in the New Year will feature digital resolutions from a wide range of international artists, writers, curators, and programmers." Empyre January 2009.

--

2008

+In "'Agents provocateurs': Codeworks-interventions on the Listservs" by Camille Paloque-Bergès in _Art-Act_, September 2008.

+"From the Work to .txt / and Back: On Mary-Anne Breeze’s Net Literature" by Franz Thalmair in _Remapping Critique_, Springerin Issue 1/08.

+Content contributor to "ARGology: A Site About Alternate Reality Games" - an initiative of the IGDA ARG SIG: an Organisation devoted:

• "to bring[ing] together a wide spectrum of experts in the state-of-the-art of the ARG genre, and to facilitate the sharing of their knowledge and promotion of ARG's to mainstream games developers."

+_Augmentology Extracts_ in hz-journal #12:

• "Futurist and cyber poet Mez Breeze explores concepts that shape and are shaped by an extensive range of online/synthetic encounters through the phenomena Reality Mixing, Game Addiction and Avatar Formation. Three extracts from augmentology.com".

+The Codewurk Kode Dis.pensa 4 the DataH Inphoennium [1997] discussed in "Poezia Electronica" by "Ambroise Barras, March 2008, Romania.

+Exexcutive Editor of _Augmentology 1[L]0[L]1_ : A working manual discussing the formation and evolution of synthetic environments. Sponsored by the Ars Virtua Foundation via the CADRE Laboratory for New Media.

+In "ART IN THE BIOTECH ERA" by Melentie Pandilovski (Ed). ISBN 0 949836524.

• "Involving leading Australian and international artists and theorists, the project explored biotechnology and genomics, considering the influence of techno-scientific change on society, the ethical implications of genetic engineering, and the concept of aesthetics in biotech arts. With texts from more than twenty writers together with images from artists working in the field, this is the most comprehensive compilation of theories and practices surrounding the issue of art and biotechnology to date."

+In "Mechanisms: New Media and the Forensic Imagination" by Matthew G. Kirschenbaum. Jan 2008, MIT Press, ISBN: 0262113112.

+_Tinker_B[(l)o(ve.l)y.Sh]elles_ + _MA[VE]N[TRICLE]_spur[ting]s_ in _Word For/Word, A Journal of New Writing_ Issue 13, Spring 2008.

+In _Digitize this book!: the politics of new media, or why we need open access now_ by Gary Hall. U of Minnesota Press, 2008. ISBN 0816648719,9780816648719:

• "What happens if and when texts are produced in which the technical and cultural practices of electronic writing are combined, as in the case of codeworks? Here notions of authorship are problematized, as codeworks are produced by entities or avatars such as Mez, Antiorp, and JODI, which may or may not be machinic, and which blur the boundaries between art and writing, poetic language and computer code..."

--

2007

+_Reality Mapping: Navigating the Social-Nodes_:

• "Mez knows no bounds as she skims the confluence of virtuality, technology and textuality. This morning her status declares that she is 'twitter streaming new theory'. She sidesteps the monumentality of theory's usual vehicle (the essay) and delivers intermittent compressed moments of sumptuous thoughts in her (in)famous word-wrangling style. This is the first Facebook writing/word experiment I have seen that explores engaging theory in this personalised and self-reflexive way." [Linda Carroli, _In the Twitter Stream_].

+Discussed in "The Mourning After: Attending the Wake of Postmodernism" by Neil Brooks and Josh Toth. Amsterdam/New York : Rodopi, 2007. ISBN: 9789042021624 9042021624. OCLC: 123126220.

+In net.NET Edition I of a series of netart features as part of NewMediaFest2007. Launched 1 November 2007.

+Florian Cramer's dissertation "Exe.cut[up]able statements - Poetische Kalküle und Phantasmen des selbstausführenden Texts" [which analyzes _Viro.Logic Condition][ing][ 1.1_ + takes the title line from a mez code.wurk ] wins the 2007 Prix Ars Electronica MEDIA.ART.RESEARCH AWARD.

+Three net.wurks: _competition m.[d]body_ment_ + .smudged teats.+.g.lit[eral]ter trees. + jacked[i]Njilled in the epidermis journal, Issue #2, Spring 2007.

+#005 Re: AN E-MAIL CONVERSATION WITH MARY-ANNE BREEZE - VERSATILE M[C]O[MMUNICATION]DALITY. Conducted by fratha:

• "[This interview] seems like something young artists should see and read...I'm having the experience over and over in school now, that "text" has become mathematics to many of our young people. They seem frightened and fairly negative toward it in general, and seem to be having trouble charting their path into the maelstrom...Mez's textuality seems so vital and alive and personal, it needs to be taught more...or shown around in different contexts." [Lanny Quarles, WRYTING-L].

+Assorted wurks in Oxford Magazine's 1st 2007 edition.

--

2006

+Mezangelle examined in "Computational Literature" - a lecture presented by Florian Cramer as part of "Reading Code", @ the MLA Convention, Philadelphia December 2006.

+_Net.Drenching -- Creating The Co[de][i]n.Text_ in LEA's "New Media Poetics and Poetry" Special, New Media Poetry, Leonardo Electronic Almanac. Volume 14, Number 05.

+Interview in the e-ART book version (ed) Franz Fischnaller, Professor at The University of Illinois at Chicago, and Art Director of F.A.B.R.I.CATORS, Italy.

+Interviewed by Simon Mills for The Framed Interview Project.

+Mezangelle examined in Outside the Black Box in Linux User & Developer, Conceptual Art and Software edition.

+_ G L O B . O I L + C L I M A T E . A L T . A F T E R M A T H _[code poetry] in Sidebrow - an online & print journal dedicated to innovation & collaboration. Sidebrow provides a forum for exploring the collective & the singular in the literary arts. Will also be printed in Sidebrow's inaugural print anthology mid-2007.

+[net.sprache mezangelle] in [TXTNWS].

+Works Featured in At The Edge of Art by Joline Blais and Jon Ippolito - a critical examination of creativity spawned in quarters far from the studios and museums that are the traditional epicenters of the art world. Published by Thames & Hudson.

+"Directory.Linking 2:/The Immersive State of Reality[Game]Play" published in Hz eZine: "Experimental Cyber Poet MEZ analyses recent developments in games into several categories such as "First Person Shooters", "Massive or Massively Multiplayer Online Games" and "Alternative Reality Games" and arrives at questions involving the present state of art in relation to and in comparison with the condition of game play."

+A short interview with ][mez][ @ weblogart.

--

2005

+Web Statistics Poem Generator Review by Jeremy Douglass in WRT: Writer Response Theory - a blog and podcast dedicated to discussing text arts forms.

+Discussed in: "Moving Through Me as I Move" by Stephanie Strickland at Electronic Book Review.

+Discussed in: "Language rules" - Geniwate at Electronic Book Review.

+SELECTED WORK [Code poetry/Netwurk/Language Art/[Et]c./] in Oregon Literary Review Vol. 1, No. 1 - an online collection of literature, hypertext, art, music, and hypermedia.

+Works in the 1st Edition of Linguablanca webmagazine.

+Various Works examined in Quantum Feminist Mnemotechnics:The Archival Text, Digital Narrative and the Limits of Memory by Carolyn G. Guertin. Published under a Creatice Commons License.

+Mezangelle formulation and influence discussed in Interzone by Darren Tofts. Interzone presents the first comprehensive overview of the development of media arts culture in Australia. Published by Thames & Hudson.

+Key texts discussed and mezangelle examined in "Words Made Flesh - Code, Culture, Imagination" - a book on the poetics and cultural history of algorithmic code by Florian Cramer.

+In Media Art Net 2: Key Topics, Rudolf Frieling/Dieter Daniels (eds.) Springer: Vienna/Neu York, 2005, 320 pages, text: German/English, ISBN: 3-211-23871-9

+Source text used and analysis of mezangelle in The Writing Experiment: strategies for innovative creative writing by Hazel Smith, Allen & Unwin, March 2005 ISBN: 1741140153.

--

2004

+Various net.wurks in xStream Wryting Issue No 5, June 2004. Edited by Jukka-Pekka Kervinen.

+Three Poems in the eJournal Perspectives on Evil and Human Wickedness, Volume 1, No 4.

+_mezangelle_ listed in OnlyOneNativeSpeaker, the collaborative Babylon bonanza.

+ "Re: The Fact That I Am Fiction": Mary-Anne Breeze, Her Avatars, and the Transformation of Identity" by John Reep, in Post Identity: Identifying New Media, Volume 4.1, Spring 2004.

+Reviewed in "Learning to Love the Poetry Blog" by Lewis laCook for MetaMute, 6.07.04.

+Essays in the publication p0es1s: The Aesthetics of Digital Poetry. Friedrich W. Block, Christiane Heibach, Karin Wenz (eds.). Published 2004 by Hatje Cantz to coincide with the p0es1s exhibition, Berlin. Also reviewed by Brian Kim Stefans.

+_][stuttered][[sutured][: not][net][.art_ analysed by Stephanie Strickland in First Person New Media as Story, Performance, and Game. Noah Wardrip-Fruin and Pat Harrigan (Eds.) January 2004.

--

2003

+In Text as a Loop/ On the Digital Poetry, by Janez Strehovec, Ph.D. (c) 2003.

+Analysis of mezangelle and net.wurks in .these t.ex][e][ts:“…a challenge wrapped in velvet visuals…” by Tanya Clement for Word Circuits: E-Lit Up Close.

+_OPPO.S[able].I.T[humbs]ION!!_ in "Exe.cut[up]able statements: The Insistence of Code", Florian Cramer, Ars Electronica catalogue Code: The Language of Our Time.

+Interviewed by Adam Nash for the "Ready, Set, Play" article in Digital Media World, July 2003.

+"Inappropriate Format][ing][: Craft-Orientation vs. Networked Content[s"] in the Journal of Digital Information, Volume 3 Issue 3 Hypertext Criticism: Writing about Hypertext.

+Texts in _the >wartime< project_ which press included the following: -

• Cornwall24, UK > January 22nd 2003
• Graziarosa Villani, L'espresso, Italia > January 25th 2003
• Tiscale Art, Italia > January 28th 2003
• cTarkus, Tijuana Indymedia, México > Feburary 1st 2003
• R. Bosco / S. Caldana, CyberP@is, El Pais, Espagne > January 30th 2003
• Mathew Mirapaul, New York Times, US > Febuary 3rd 2003
• der Standard, Österreich > Febuary 3rd 2003
• Graziarosa Villani, Liberazione, Italia > Febuary 15th 2003
• Antonio Riello, Dolce & Gabbana (art & web), Italia > Febuary 2003
• euia, Espagne > Febuary 2003
• repeat > Star Tribune, Minneaplois, US > Febuary 9th 2003
• Corriere della Sera, Italia > Febuary 14th 2003
• TAZ, Berlin, Deutschland > Febuary 18th 2003
• Centre International d'Art Contemporian De Montréal, CA > March 2003
• http://www.kopenhagen.dk DK > March 19th 2003
• Liberation FR > March 29th 2003
• neural.it > June 29th 2003

+Analysis of _m.burr cha][r][nnel_ in "Being Approached", a codework essay by William Fairbrother in VirtualItch.

+Surveyed for Mapping the Transition:The trAce Survey of writers using the web 1991-2001.

+"Interferences: [Net.Writing] and the Practice of Codework" by Rita Raley in Electronic Book Review.

+The Language system mezangelle and mez works discussed in Culture Machine, "Deeper Into the Machine: The Future of Electronic Literature" by Katherine Hayles, Edition 5, 2003. Also in the Electronic Literature Organisations "State of the Arts" Symposium 2002 Book.

--

2002

+_Viro.Logic Condition][ing][ 1.1_ presented as part of the lecture_Literature and Systems_ by Florian Cramer at Goethe Institute Barcelona, May 02.

+Review of _][ad][Dressed in a Skin C.ode_ by Lewis Lacook @ Suite 101.com.

+Review of mezangelle language system + _Monitored_ by Dean Kiley, Realtime, Issue 47.

+Review of _The Net.Wurk Series:: _][ad][Dressed in a Skin C.ode_ by Scott Esdaile, fine Arts forum.

+Review of Solo Java Exhibition in _Neural.it_ magazine [italian] and the Ciberpais newspaper [spanish].

+_Yes, but is it art?_ in the Courier Mail, 8/2/02.

+_][ad][Dressed in a Skin C.ode_ in BeeHive Hypertext/Hypermedia Literary Journal, Volume 5 : Issue 1 |...| Summer 2002.

+_Technological Sel][n.f][ection_ [+ trans.][l][iteration] in _perspektive_ magazine, Issue 42, April 2002.

+Mezangelle x.tract/section in _Creative Web Writing_ by Jane Dorner. Published by A & C Black, 2002.

+Interview in the e-ART ( digital, virtual, interactive art) special issue of the Engineering Journal _Ingenium_ (ed) Franz Fischnaller, Professor at The University of Illinois at Chicago, and Art Director of F.A.B.R.I.CATORS, Italy.

+"M @ z k! n 3 n. k u n z t. m2cht. fr3! - The network art and it (E) code (s): _mezangelle_ and _Kroperom_ as artistic appropriations of programming code. To the ASCII work of Antiorp, mez and Jodi." Lecture by Inke Arns, Bremen, Germany, 26/2/2002.

--

2001

+Inke Arns, Berlin, _An Art Yet Unknown: Art Will Be Code, Or It Will Not Be_ written for the1st edition of Anthology of Art [Jochen Gerz] and organized by the School of Visual Arts of Braunschweig (Germany) and the University of Rennes (France).

+“Info Body Web: The Internet Poetry of Mez.” - conference paper by George Hartley @ the Modern Language Association International Convention, New Orleans, Louisiana, December 28, 2001.

+Surveyed for _E-Poets on the State of their Electronic Art_ & discussed in _A Quick Buzz around the Universe of Electronic Poetry_ in Currents in Electronic Literacy Fall 2001 (5).

+In _History and The Avant-Garde of Web Poetry_ [paper by George Hartley given @ Seminar on History and the Avant-Garde  Modernist Studies Association Annual Conference, Rice University, Houston, Texas, October 17, 2001].

+_Artists plug into new canvas on the Internet_ in the Sydney Morning Herald.

+::[post] 11th hr Reality Smear:: in Masthead Magazine's Special Issue: American terror: writings in the immediate aftermath.

+In A Net Art Idea Line @ Whitney Museum of American Art.

+Mezangelling language: net.wurked writing [an Interview with Andreea I. Carnu]. Published in RealTime Online #43 - June/July 2001.

+_Vehicular Datatraffic_ [Or, Licking the Sig.Nature File Static] in BeeHive Microtitles, Series 1 [a collection of short titles in PDF formatted for your PDA].

+Review of the data][h!][bleeding texts in CIAC Magazine 13th edition, "Language transformed by the machine".

+Selected texts in "Egroup Webartery: Dialogue and Creation" in Galáxia: Revista Transdisciplinar de Comunicação,Semiótica, Cultura: Transdisciplinal Magazine on Communication, Semiotics and Culture, Issue 2, 2001.

+Articles by Beatrice Beaubien, McKenzie Wark & Talan Memmott discussing mezangelle and meztexts in Alan Sondheim's focus on _Codework_, American Book Review, September/October 2001 issue.

+'Non Compos Mentis: Zen-Tripping the Non-Conference Circuitry' article feature in fineArt forum vol. 15 no. 05 may 2001.

+<][w][Rit][e][ua.LIS][P][tic> featured in I*D*I*O*L*E*C*T.

+data][h!][bleeding texts & ][selec][text: co][deP][l][oetry] featured in The IOWA Web Review, March 2001.

+Mezwork reviewed by Yael Kanarek for the July issue of Sandbox Magazine #9: GENDER PLAY. Meztexts also displayed at the The Benefit Event/Issue Launch Produced by Sandbox Open Arts. Sponsored in part by Bloomsbury Publishing and the Brooklyn Brewery.

+Interview in THE_TIMEBROKER, Issue 3.

+_Subject: Net.Wurking An Active Discourse:The Art & ][mezangelled][ Times of Net.Literature_ in the July issue of Meanjin Forum. Co-edited by Peter Minter [poetry editor] and Stephanie Holt [editor].

+_datahbabee Vs Narrow][B][randing_ in frAme5, The Culture & Technology Journal & in the rip-off quilt.

+Datableeding texts included in “HARD_CODE”, an ebook via Altx Digital Publishing & edited by Eugene Thacker.

+Texts in "INTERACTION: Artistic Practice in Network" [book publication by Eyebeam of texts contributed to the Fleshfactor mailing list].

+“The Art Of M[ez]ang.elle.ing” featured in Beehive Vol 3:Issue 4.

 --

2000

+In _Net Art Guide_. Published by Fraunhofer Electronic Business Innovationszentrum, 2000.

+Texts in Riding the Meridian -- Winter 2000 -- Lit [art] ure.

+Online chat-lectures given for both Defib and trace.

+Co-moderator of the Webartery Poetics mailing list.

+Featured artist @ Defib Interviews Sunday June 4, 2000, 13:00 PST.

+In the Scratch Conference at trace's Incubation Conference 00.

+"Puzzle Pieces Of A Datableede Jigsaw" Feature Article in fineArt forum, volume 14 : issue 6: june 2000.

+Review of Sky Scratchez in The China Times, May 2000, Taipei.

+"Eggshellian Vurssion 2" in The Reading Room, April-May edition.

+"Clonehing God & Ang-Ls" in EPC's Poems for April.

+Text + rhizome interview in The Walker Art Centre Arts Entertainment Network's MediaTheque.

+Guest Essayist in Verve: The Other Writing [writing event at the Adelaide Festival of the Arts].

+"dif.fur.rent spacez" included in a Room Without Walls, Millennium Project.

+Interviewed by Josephine Bosma for Rhizome. See transcript here.

+"Treatise of ART ++ dekode 4 the uninitiated" in the Course Reader for _Art & Technologies_ The School of Art, Dunedin New Zealand.

-- 

1999

+In ACM SIGGRAPH - Computer Graphics. Vol.33 #4, November 1999.

+Sky Scratchez [with Talan Memmott] published in BeeHive Hypertext Hypermedia Literary Journal Volume 2 : Issue 5 December 1999.

+Texts in THE LOVEANDWAR PROJECT.

+In the Time Line Catalogue [by Tilman Baumgaertel] of  "net_condition", ZKM in Karlsruhe, Germany.

+"Blood Puppets" text used as source code for the "Puppets" Electronic Poem by Nari [Ted Warnell]

+In Speedfactory, instigated by Bernard Cohen.

+_Will the Real Mez Please Stand Up??…the net.Art & Cybertimes of mezflesque.exe_ [interview in StreetPress, sp001].

+"In the Age of the Online Female: to Game or Not to Game"published in trAce Opinion. Opinion is presented in conjunction with NOW99, Nottingham's Festival of Arts.

+mo[ve.men]tion published as part of AGON, the electronic journal of www.o-o.lt [Institute of Media].

+Skinned included in French ezine pleine-peau and San Diego print-based magazine, Zazil.

+Review/article of mo[ve.men]tion & writing style in online journal/zine Perihelion.

+Review of move.mention in Real Time Online Magazine [issue 27].

-- 

1998

+Internal Damage Reporting in frAme, The Culture & Technology Journal.

+Attack of the CyberFeminists: The Art, Times and Genderings of VNS Matrix + e-nter-view/of/with Gashgirl in Switch - Electronic Gender:Art at the Interstice

+Review of mo[ve.men]tion in trACe International Writing Community Journal.

+TUG New Stimulus Magazine Contributor [co-editorial statement + new stimulus fiction + images]. Published as part of The Undercover Girl Project, Norway.

+Sound fiction contributor to net audio printed issue 1, ACOUSTIC.SPACE. Published by E-LAB (Riga, Latvia) & Xchange network.

+Hybrid Fiction in Swallow [Issues 7,8,9] Online Zine.

-- 

1997

+Quake-ing In My Boots: Examining <Clan:Construction In an Online Gamer Population> feature article in Cybersociology Magazine, Issue Two.

+Examining Modernism & Dystopia in a Contemporary Context: A Case Study of the Film Strange Days in Media, Meaning, Communication & Culture, Volume 1 Number 1; 1997 - ISSN 1328-9462.

+Articles in FactionX - 1997 Conference Volume of the Non-Aligned Left.

--

1996

+Fiction, reviews and graphics, various editions of The Tertangala.

+Sorrow Stories, in Hecate: An Interdisciplinary Journal of Women's Liberation Vol. XX11 no.i, 1996.

-- 

1995

+Foot-In-Mouth in Figments 4.

+Interview (+ Tania Daniels) re: Layette Exhibition by Tania Mastriani, Common Threads Radio for Women, 2Vox FM .

+Review re: Trans Exhibition by Kath Woolf, Independent Music Monthly no.18, May 1995.

+Interview (+ Walter Brecely, Tania Daniels) by Sean Moysey, Thinking Art in Wollongong: Cultural Dissent Review, Green Left Weekly, May 17 1995.

+Review re: Men Under the Microscope Exhibition by Tim Ireland, Art Beat, Illawarra Mercury.
 

++++++++++++++++